<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Rui N' Art Consultancy]]></title><description><![CDATA[ruicepeda]]></description><link>https://www.ruicepeda.com/blog-1</link><generator>RSS for Node</generator><lastBuildDate>Sat, 13 Jun 2026 13:34:47 GMT</lastBuildDate><atom:link href="https://invagination.wixsite.com/ruicepeda/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Research Article : Delegation of Leadership in Art Projects: Changes in the Modes of Production and Exhibiting]]></title><description><![CDATA[Abstract This  paper explores the delegation of leadership in the management of a collaborative art project, Lunch with 500 Grandmothers , conceived by the Japanese artist, Tatsumi Orimoto, within the remits of the cross-cultural festival, Trienal in Alentejo . It argues how the intersection of ethics and the delegation of leadership in arts management fosters cultural policy innovation and administrative collaboration. The findings contribute to the expansion and understanding of the role...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/research-article-delegation-of-leadership-in-art-projects-changes-in-the-modes-of-production-and</link><guid isPermaLink="false">69a7108e5f34dbe2951df6cf</guid><category><![CDATA[Journal Paper]]></category><category><![CDATA[Research Article]]></category><pubDate>Tue, 03 Mar 2026 16:54:07 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/64ef3e_042fdd8855f5448e9c7561ed49fc4e3b~mv2.png/v1/fit/w_1000,h_348,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[REVIEW : 'Brazil! Brazil! The Birth of Modernism']]></title><description><![CDATA[Royal Academy of Arts, London 28th January – 21st April 2025 Publish by Exhibition Review Annual, 11th International Awards for Art Criticism  (English Language Entries) Colonialism in Everyday Curatorship: Brazil, Identity, and the Failure of Curatorial Imagination at the Royal Academy of Arts Image 1  View of the exhibition 'Brazil! Brazil! The Birth of Modernism' at the Royal Academy of Arts, London. Photo by author. © the author, 2025 Brazil! Brazil! The Birth of Modernism , held at the...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/review-brazil-brazil-the-birth-of-modernism</link><guid isPermaLink="false">693af6ee152a564cb0bdcafc</guid><category><![CDATA[Review]]></category><pubDate>Thu, 11 Dec 2025 17:35:28 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/64ef3e_cc4f8813f8024cb08cdefa3b2f9826f1~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[57th AICA International Congress Johannesburg : Diary Entry]]></title><description><![CDATA[Johannesburg, the city of gold, begins for me in colours, but the colours carry weight. The red ochre earth is beautiful only at first glance; look longer and it resembles something bruised, overworked, exhausted. Even the green grass that pushes through it feels less like hope and more like stubborn survival. It is late October and the jacarandas soften the streets with their violet haze, a borrowed beauty that made me recall Mexico City and, faintly, Portugal. But here the blooms feel...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/57th-aica-international-congress-johannesburg-diary-entry</link><guid isPermaLink="false">691b1992a1ddf340182a0556</guid><category><![CDATA[Report]]></category><category><![CDATA[Diary Entry]]></category><pubDate>Mon, 17 Nov 2025 14:34:50 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/64ef3e_84c044cc183744f59c7d65ac7efa1372~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[Abu Dhabi : Diary Entry]]></title><description><![CDATA[Chapter I : Abu Dhabi Abu Dhabi feels like a mirage given permanence. Facing the Persian (Arabic) Gulf, Abu Dhabi seems like a dream forged from marble, light, and silence. In here everything is grand, rich, and endlessly white, as if the city had been polished by the sun itself. The warmth hangs in the air like in Seville, thick and golden, but here it carries no laughter, no music or dancing, no rush of voices spilling from shaded terraces. No flamenco. Instead, there is a serene stillness,...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/abu-dhabi-diary-entry</link><guid isPermaLink="false">6919e73a76759c02a86482e9</guid><category><![CDATA[Travel]]></category><category><![CDATA[Diary Entry]]></category><pubDate>Sun, 16 Nov 2025 18:08:41 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/64ef3e_a9e1a6bf00ab4008bb4fefc7b650140c~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[Ziyi Wang]]></title><description><![CDATA[Publish at  Flash Art International, Issue 348 Vol. 57. Fall 2024 Ziyi Wang (b. 1999) is a digital artists specialising in moving images...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/ziyi-wang</link><guid isPermaLink="false">66ff0948de7e422444dfc684</guid><category><![CDATA[Artist]]></category><category><![CDATA[Review]]></category><category><![CDATA[Art Magazine]]></category><pubDate>Thu, 03 Oct 2024 21:44:13 GMT</pubDate><enclosure url="http://video.wixstatic.com/video/64ef3e_c49be7bf24c442c3a9d10c36351fb790/480p/mp4/file.mp4" length="0" type="video"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[REVIEW : La Biennale Arte di Venezia – 60th International Art Exhibition]]></title><description><![CDATA[La Biennale Arte di Venezia – 60th International Art Exhibition Stranieri Ovunque / Foreigners Everywhere Curated by Adriano Pedrosa 20th April to 24th November 2024 www.labiennale.org Publish by (for) AICA E-MAG ISSUE # 7 ( PDF ) Publish by ARTE &#38; CRÍTICA, ANO XXI - Nº 70 - Junho 2024  ( PDF ) Photo 1 View of the Central Pavilion main facade with mural by MAHKU Collective (Movimento dos Artistas Huni Kuin), 2024, ‘Stranieri Ovunque’ – ‘Foreigners Everywhere’. Photo © 2024 Rui Goncalves...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/la-biennale-arte-di-venezia-60th-international-art-exhibition</link><guid isPermaLink="false">6639f0430bf691e40cb13850</guid><category><![CDATA[Review]]></category><pubDate>Tue, 07 May 2024 09:17:05 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/64ef3e_7e5d141c825f4b4c849dd80337a242d4~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[Culturofagia: those who eat culture]]></title><description><![CDATA[Publish by ( for)  VJIC - VASA Journal on Images and Cultures , Issue 1: February 2013 Rui Cepeda  is an art critic, curator, and writer...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/culturofagia-those-who-eat-culture</link><guid isPermaLink="false">661a6e7766a396062979c678</guid><category><![CDATA[Journal Paper]]></category><pubDate>Sat, 13 Apr 2024 11:51:40 GMT</pubDate><enclosure url="http://youtu.be/r9utnvM66Pw?si=iBgeT_9deMQEfx2P" length="0" type="video"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[Living Memory]]></title><description><![CDATA[Publish by  Art &#38; Christianity , no. 116 Winter 2023. p. 12 All Saint’s Chapel, 82–83 Margaret Street, London Curated by Beth Greenacre,...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/living-memory</link><guid isPermaLink="false">6547989712d23941add2ba3b</guid><category><![CDATA[Review]]></category><pubDate>Thu, 30 Nov 2023 15:36:06 GMT</pubDate><enclosure url="http://video.wixstatic.com/video/64ef3e_9752a568bf244de5a7289b989c5f54e3/1080p/mp4/file.mp4" length="0" type="video"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[CONFERENCE PAPER: Citizen discourses in cultures of democracy]]></title><description><![CDATA[Presented at  55th AICA Congress Krakow, Poland, 13th to 17th November 2023 ‘Contested Infrastructures. Art Criticism and the...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/paper-citizen-discourses-in-cultures-of-democracy</link><guid isPermaLink="false">6559f07c64903007fab0d6f7</guid><category><![CDATA[Conference Paper]]></category><pubDate>Sun, 19 Nov 2023 11:58:21 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/64ef3e_7f77abbc8d08473abe14d61378ed07cb~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[BOOK REVIEW: ‘Contemporary Exhibition-Making and Management: Curating IMT Gallery as a Hybrid Space’]]></title><description><![CDATA[Publish by  AICA E-MAG ISSUE #3 ‘Contemporary Exhibition-Making and Management: Curating IMT Gallery as a Hybrid Space’ , by Mark...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/book-review-contemporary-exhibition-making-and-management-curating-imt-gallery-as-a-hybrid-space</link><guid isPermaLink="false">64db818820092955a8c3c074</guid><category><![CDATA[Book Review]]></category><category><![CDATA[Arts Management]]></category><pubDate>Tue, 15 Aug 2023 13:55:48 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/64ef3e_fd685f9871b84fbea97f5909508df376~mv2.jpg/v1/fit/w_350,h_560,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[O funk excêntrico do substantivo comum]]></title><description><![CDATA[Texto para “O Cú do Mundo: substantivo comum”, exposição de Ana Paula Oliveira e Mara Castilho na Galeria Monumental (Lisboa), de 27 de Maio]]></description><link>https://invagination.wixsite.com/ruicepeda/post/o-funk-exc%C3%AAntrico-do-substantivo-comum</link><guid isPermaLink="false">647cd4a5bec3b09150169eb3</guid><category><![CDATA[Exhibition Text]]></category><category><![CDATA[Artist]]></category><pubDate>Sun, 04 Jun 2023 18:16:44 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/64ef3e_b579dcc7800745abaf35fcd4c5300d1a~mv2.jpg/v1/fit/w_669,h_551,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Rui G. Cepeda</dc:creator></item><item><title><![CDATA[“The English subject: a review of Mike Nelson’s work in a recent exhibit”]]></title><description><![CDATA[Publish by  AICA E-MAG ISSUE #2  Mike Nelson’s installations and sculptures take the viewer through a fascinating journey composed by...]]></description><link>https://invagination.wixsite.com/ruicepeda/post/the-english-subject-a-review-of-mike-nelson-s-work-in-a-recent-exhibit</link><guid isPermaLink="false">647cc02e5f518c524c70cc34</guid><category><![CDATA[Review]]></category><pubDate>Wed, 31 May 2023 23:00:00 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/64ef3e_afd8c9e148124b0f9246f14258e83b66~mv2.png/v1/fit/w_866,h_738,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Rui G. Cepeda</dc:creator></item></channel></rss>